00000000nam 2200000za 4500
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008170419s2016    onca    o    f000 0 eng d
040 |aCaOODSP|beng
043 |an-cn---
0861 |aNM95-57/10-10-2016E-PDF
1001 |aHartin, Debra Daly.
24510|aBacking boards for paintings on canvas |h[electronic resource] / |c[by Debra Daly Hartin ; revised by Debra Daly Hartin and staff of the Fine Arts Laboratory].
250 |aRev. 2016.
260 |a[Ottawa] : |bCanadian Conservation Institute, |cc2016.
300 |a11 p. : |bill. (some col.)
4901 |aCanadian Conservation Institute (CCI) notes, |x1928-1455 ; |v10/10
500 |aIssued also in French under title: Dos protecteurs pour les peintures sur toile.
500 |aCover title.
500 |a"Originally published in 1993"--p. 2.
504 |aIncludes bibliographical references.
520 |a"All paintings should have backing boards as a preventive conservation measure. Installing a sealed backing board on an auxiliary support (stretcher or strainer) will: protect the painting from mechanical damage (e.g. puncture and tear) from behind; prevent dirt and debris from falling between the lower bar of the auxiliary support and the canvas; buffer fluctuations in relative humidity (RH) by enclosing the back of the painting (e.g. reduce the risk of cracking caused by RH fluctuations [day–night cycles] and by low RH conditions); decrease the painting’s response to shock (e.g. reduce the risk of cracking if the painting is dropped); reduce the vibration of the canvas in transit; block airborne pollutants that can damage and thus weaken canvas supports; and discourage the practice of attaching labels to, or writing on, the back of the canvas"--Introd., p. 3.
69207|2gccst|aArt works
69207|2gccst|aPainting
69207|2gccst|aConservation
7101 |aCanada. |bCanadian Heritage.
7102 |aCanadian Conservation Institute.
77508|tDos protecteurs pour les peintures sur toile |w(CaOODSP)9.835411
795 |tBacking boards for paintings on canvas / |w(CaOODSP)9.570252
830#0|aCCI notes,|x1928-1455 ; |v10/10|w(CaOODSP)9.506353
85640|qPDF|s804 KB|uhttps://publications.gc.ca/collections/collection_2017/pch/NM95-57-10-10-2016-eng.pdf